| | Agenda January & What to look out for in 2017... | |
| AMUND SJØLIE SVEEN - LAWRENCE MALSTAF | | MELTING | | Scandinavian Scandals | | 24 January 2017 - 20:00
| | Grand Theatre, Groningen (NL) | | MELTING is an investigation of various questions related to the scientific, economic and psychological reasons for, and consequences of, our presumed current climate crisis.
Performance: Amund Sjølie Sveen Installation: Lawrence Malstaf Music by Slagr
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| David Bowen | | Re-embodied: From Information to Sculpture | | Pulse Art + Technology Festival - Savannah | | | | | | David Bowen - 46°41'58.365" lat. -91°59'49.0128" long. @ 30m |
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| Annelies Van Parys | | Trio | | Oxalys | | | | | | Oxalys |
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| Annelies Van Parys | | Cantaloube | | Klara in de Singel 2017 | | 28 January 2017 - 17:15 until 28 January 2017 - 18:15 | | Blauwe Zaal, deSingel, Antwerpen (B) | | Claire Lefiliâtre & Oxalys Bohuslav Martinu, Nonet Canteloube, Chants d'Auvergne (arr. Annelies Van Parys)
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| What to look out for in 2017 | | |
| Annelies Van Parys | | Het Kanaal / Crossing Borders | | Sneak Preview - New Production | | 17 February 2017 until 19 February 2017
| | Rataplan, Antwerpen (B) | | On a beach near Calais a young refugee prepares himself to swim across the Channel, towards his new future. The new text by author Gaea Schoeters is mirrored by recently recovered Shakespeare-text. Composer Annelies Van Parys uses the Shakespeare-text as a libretto for a cycle of songs, which set the refugee theme in a historical perspective. Scenography by Anneleen De Causmaecker. Avant-première: Opera XXI, Antwerpen (B): 24 April 2017 Première: Opera Days Rotterdam (NL): 11 - 13 May 2017 | | Muziektheater Transparant | Queer Arts Festival | Het Geluid Maastricht | Opera Days Rotterdam |
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| Lawrence Malstaf | | Nachtelijk Symposium | | Mesut Arslan, KVS & Platform 0090 | | 19 April 2017 until 26 April 2017
| | KVS, Brussels (B) | | Mesut Arslan places the actors and the text in artist Lawrence Malstaf’s installation of spinning tops. The audience is gathered around an open arena in which not only the tops, but also the characters, start revolving around each other. In this way the director sets the inner identity of a family and the surrounding audience in motion.
| | Lawrence Malstaf | KVS |
| | | | Lawrence Malstaf - Tollen/Spinning Tops' (work in progress) |
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| Où sont les sons ? Where are sounds? | | Overtoon & Centrale for Contemporary Art | | Brussels | | 19 April 2017 until 9 September 2017
| | Centrale for Contemporary Art, Brussels (B) | | With Christoph De Boeck (B), Raymond Gervais (CA), Aernoudt Jacobs (B), Anne-Françoise Jacques (CA), Rolf Julius (D), Yann Leguay (F/B) et Gaétan Rusquet (B), Bernhard Leitner (AT), Lawrence Malstaf (B/NO), Dominique Petitgand (F), Martin Tétreault (CA) and Dieb13 (AT), Davide Tidoni (IT/B), Katerina Undo (GR/B). Curated by Nicole Gingras. | | Overtoon | Centrale for Contemporary Art |
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| Lawrence Malstaf | | PRACTICABLE - From Participation to Interaction in Contemporary Art | | New publication by Samuel Bianchini and Erik Verhagen (editors) with the collaboration of Nathalie Delbard and Larisa Dryansky. Published by MIT Press, Leonardo Book Series. 904 pp. | 7 x 9 in | 164 b&w illus. | Hardcover | ISBN: 9780262034753 | | MIT Press |
| | | | Lawrence Malstaf - Nemo Observatorium in PRATICABLE |
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| Tom Kok | | Jan Van Eyck Academie - Residency 2017 | | Tom Kok is accepted for a residency at Jan Van Eyck Academie, Maastricht (NL) | | Van Eyck |
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| David Bowen | | Autodesk Pier 9 Artist in Residence | | |
| Annelies Van Parys | | QUEEN ELISABETH COMPETITION | | SEMI-FINAL CELLO 2017 | | 15 May 2017 until 20 May 2017
| | Flagey/Studio 4, Brussels (B) | | The compulsory work for the semi-final Cello 2017 is written by Belgian composer Annelies Van Parys. Chacun(e) sa chaconne will be world premiered on Monday 15 May at 15:00 at Flagey/Studio 4, Brussels. | | Queen Elisabeth Competition |
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| Jacques Charlier | | MOCO - Montpellier | | The projects around the MOCO, a new center of contemporary art directed by Nicolas Bourriaud in Montpellier, are becoming more precise. In October 2017, they will exhibit Belgian artist Jacques Charlier, a conceptual artist who creates unclassifiable work interspersed with humour and with references to art history, punk music, Belgian surrealism or American avant-gardes ... . |
| | | | Jacques Charlier - Lettre-Ocean (ou la peinture sous-marine), 1989 |
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