| | News & Agenda February - March 2017 | |
| Annelies Van Parys | | Het Kanaal / Crossing Borders | | Sneak preview / New Production | | | | | | Anneleen De Causmaecker - Het Kanaal (sketch scenography) |
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| Annelies Van Parys | | Ah cette fable | | world premiere | | 2 March 2017 - 20:00
| | Concertgebouw Brugge (B) | | On an evocative concert trail, music and image drive, interrupt and contrast with each other. Double bass player Peter Jacquemyn enters into a dialogue with performance artist Sigrid Tanghe. Composer Annelies Van Parys was inspired by Luc Tuymans' Angel for a new work on a text by Gaea Schoeters. Cellist Arne Deforce and calligrapher Brody Neuenschwander close with an intriguing performance.
| | Concertgebouw Brugge |
| | | | ©Trui Hanoulle |
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| Lawrence Malstaf | | Compass | | NUITNUMÉRIQUE #14 KINESTEZI | | 11 February 2017 until 24 May 2017
| | Saint-Ex, Centre Culturel Numérique, Reims (F) | | Compass 02005 is an orientation machine to wear around your waist. It directs you left and right while walking. It guides you through virtual corridors, rooms and doors programmed in the physical exhibition space, or any location. The apparatus imposes an attraction or repulsion on your waist, like you are in a magnetic field. You can explore this environment and discover a tactile architecture. The machine is programmed to make you follow an invisible map but you can choose between resisting to the machine or giving in and letting yourself be guided.
| | Saint-Ex Reims |
| | | | Lawrence Malstaf, Compass 02005 |
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| Annelies Van Parys | | DAGBOEK VAN EEN VERDWENENE / DIARY OF ONE WHO DISAPPEARED | | World Premiere | | | | | | ©Laura Makabresku |
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| Kiki Smith | | 57th VENICE BIENNALE | | 13 May 2017 until 26 November 2017
| | Giardini - Arsenale, Venice (IT) | | Viva Arte Viva Curated by Christine Macel | | Biennale di Venezia |
| | | | Kiki Smith, Mother, 2012 |
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| Annelies Van Parys | | Private View | | Norwegian premiere at Borealis Festival | | 11 March 2017 - 19:00 until 12 March 2017 - 15:00 | | Peer Gynt-salen, Grieghallen, Bergen (NO) | | For her first opera, Private View, the composer Annelies Van Parys chose to take as her starting point Alfred Hitchcock’s thriller Rear Window, about a murder in a block of flats. Her collaboration with the librettist Jen Hadfield, scenarist Gaea Schoeters and director Tom Creed led to the creation of a pioneering opera that won several awards. Private View breaks with tradition, above all in the video installation by the Collective 33⅓. | | Muziektheater Transparant | Borealis Festival |
| | | | ©Koen Broos |
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| Aernoudt Jacobs | | The Art of Listening | | WHAT DOES IT MEAN TO LISTEN? AND HOW EXACTLY DO WE LISTEN? | | 16 March 2017 - 12:30
| | Muntpunt, De Wolken +5, Brussels (B) | | Aernoudt Jacobs is a sound artist and artistic director of Overtoon, a Brussels based sound art platform.
Aernoudt Jacobs' work is both phenomenological and empirical. It originates from acoustic and technological research and investigates how sounds still can yield sonic processes which will trigger the perceptive scope of the observer. Jacobs' installations focus on a central question: how can the complexity, richness and stratification of our direct, daily environment be translated into something that can really be experienced? | | Muntpunt | De Munt / La Monnaie |
| | | | Aernoudt Jacobs, Induction Series #4.3 - Tin Space, 2015 |
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| David Bowen | | RE-EMBODIED: FROM INFORMATION TO SCULPTURE | | 12 January 2017 until 9 April 2017
| | Telfair Museums, Jepson Center, Savannah (US) | | water surface by David Bowen is an installation that connects the gallery space to current conditions on the surface of the oceans all over the world. As wave levels and structures fluctuate in globally distant locations, the installation reflects this activity by creating continually varying three-dimensional patterns in a matrix of LED lights.
water surface and 46°41'58.365" lat. -91°59'49.0128" long. @ 30m by David Bowen are included in Re-embodied: From Information to Sculpture a group exhibition at the Telfair Museum in Savannah (US).
| | Telfair Museums |
| | | | David Bowen, water surface, 2016 |
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