Biennale en Commun(s) / HABITER, arts numériques et hybrides
20.03.2025 - 20.05.2025 Université Évry Paris-Saclay, Bâtiment Facteur Cheval
Évry-Courcouronnes (F)
Manufacture poétique d’icebergs artificiels - Barthélemy Antoine-Loeff
A frozen safe, Antarctica constitutes the largest reserve of fresh water on the planet, accounting for approximately 90%. Its ground is rich, and about 20% of the world's reserves of oil, gas, and minerals are believed to be buried there.
Officially, a neutral and demilitarised territory, reserved for scientific study, Antarctica is a terra nullius, belonging to no one. The Antarctic Treaty rules out any possibility of exploiting natural resources until 2048. Unofficially, some scientific bases serve as flags for states to claim a part of the continent.
In 2012, under the guise of scientific research, the Russians drilled up to 3,768 meters to test hydrocarbon extraction technologies in polar environments. The Chinese mapped the continent's resources.
The installation Manufacture Poétique d’Icebergs Artificiels represents the map of the Antarctic continent, divided into 350 iceberg units. Audiences are invited to rearrange these units into a new, artificial topography of the territory. This staging becomes the play-support to explore future challenges related to the white continent, blending geopolitical fiction and geostrategic projection.
Les Unités Icebergs – Barthélemy Antoine-Loeff en collaboration avec Vanessa Bell
The iceberg unit is a fictional unit that fits in a child's hand and measures the cryosphere and its disappearance. These units - which could be described as pixels or satellite tiles - evoke the division of resources into geo-strategic parcels. And they raise questions about geo-political borders and fractures.
By ironically reusing the codes of projections used in industrial drawings, these prints weave several narrative threads that echo our immediate present and future.
Tipping point at Biennale EXPERIMENTA
08.02.2025 - 01.03.2025 La Bastille – Salle Dutrievoz,
Grenoble (F)
The installation Tipping Point by Barthélemy Antoine-Loeff is a sensitive and poetic tribute to those dying glaciers. It stages the (re)birth of an artificial glacier protected by a dome; a drip is feeding the glacier that will grow during the exhibition. The device invites the viewer to attend the birth of this artificial glacier. It is inspired by the “ice stupas” invented by the engineer Sonam Wangchuk and used to fight against water shortages during the summer in Ladakh.
Between a laboratory experiment, an attempt to repair the climate or an ironic collector’s item, the installation confronts us with time and scales; 10.000 years ago, the stabilisation of our cryosphere coincided with the first human traces we found in Mesopotamia, while the fist glaciers are disappearing in 70 years under the pressure of the human activity.
Lecture par Nature - Nous entrons dans l’heure bleue comme en nous-mêmes
14.01.2025 - 01.02.2025 Organised by Chroniques
Médiathèque Berre-L'Étang (F)
This exhibition takes a unique look at water, highlighting its fragility: the birth of an artificial glacier to symbolise the fight against its disappearance, and an interactive experience based on the geopolitical issues surrounding Antarctica... A sensitive experience to help you grasp contemporary environmental issues. Three installations to see and experience: Tipping Point, La Manufacture poétique d'icebergs artificiels and Unités d'iceberg.
Exhibition by Barthélemy Antoine-Loeff in collaboration with Vanessa Bell.
Lecture par Nature - Disqualifier l'univers
15.01.2025 Organised by Chroniques
Bibliothèque de Berre l'’Étang (F)
Disqualifier l'univers by Barthélémy Antoine-Loeff & Vanessa Bell is an immersive performance combining light, ice and magma, exploring the states of matter in the universe. Inspired by the demotion of Pluto into a dwarf planet, it questions the way we categorise and limit the world. Through ice volcanoes and floating mountains discovered on Pluto, Barthélémy Antoine Loeff and Vanessa Bell weave a narrative about New Worlds and exoplanets, echoing our own environmental disqualification.
CE QUI DISPARAIT SE TRANSFORME IMMÉDIATEMENT EN ÉTERNITÉ at Mapping Festival
10.05.2024 - 26.05.2024 Le Commun
Geneva (CH)
Barthélemy Antoine-Loeff in collaboration with Antoine Meissonnier
Ce qui disparait se transforme immédiatement en éternité explores the multiple questions of climate repair and technosolutionism using artificial intelligence.
The installation stages a fictional laboratory for measuring the melting of symbolic mini icebergs which are generated in ice before being placed in an analysis cell with the aim of finding the ultimate iceberg: the one which, by its shape, will make a consensus, which one will take the longest to melt, based on the analyzes of the icebergs previously generated.
The installation uses a genetic algorithm specially developed to try to solve this problem of climatic optimization... Obviously, the starting postulate is absurd, and ironic. Just like the idea of imagining being able to "repair" the climate by artificially prolonging the life of icebergs with the help of a genetic algorithm.
Tipping Point & Ce qui disparait se transforme immédiatement en éternité
06.04.2024 - 07.04.2024 Nouvelles Formes
L’Entrepôt Besançon (F)
The installation Tipping Point by Barthélemy Antoine-Loeff is a sensitive and poetic tribute to those dying glaciers. It stages the (re)birth of an artificial glacier protected by a dome; a drip is feeding the glacier that will grow during the exhibition. The device invites the viewer to attend the birth of this artificial glacier. It is inspired by the “ice stupas” invented by the engineer Sonam Wangchuk and used to fight against water shortages during the summer in Ladakh.
Between a laboratory experiment, an attempt to repair the climate or an ironic collector’s item, the installation confronts us with time and scales; 10.000 years ago, the stabilisation of our cryosphere coincided with the first human traces we found in Mesopotamia, while the fist glaciers are disappearing in 70 years under the pressure of the human activity.
Barthélemy Antoine-Loeff in collaboration with Antoine Meissonnier
Ce qui disparait se transforme immédiatement en éternité explores the multiple questions of climate repair and technosolutionism using artificial intelligence.
The installation stages a fictional laboratory for measuring the melting of symbolic mini icebergs which are generated in ice before being placed in an analysis cell with the aim of finding the ultimate iceberg: the one which, by its shape, will make a consensus, which one will take the longest to melt, based on the analyzes of the icebergs previously generated.
The installation uses a genetic algorithm specially developed to try to solve this problem of climatic optimization...
Obviously, the starting postulate is absurd, and ironic. Just like the idea of imagining being able to "repair" the climate by artificially prolonging the life of icebergs with the help of a genetic algorithm.
L’HORIZON DES ÉVÉNEMENTS
29.11.2023 - 17.12.2023 Stereolux / Plateforme Intermédia
Nantes (F)
Impetuous, we sought to tame the infinite, to dominate time, to shape space in our image, to control the climate.
Now our glaciers are disappearing. Their disappearance threatens the balance of the Earth system. New Climate Regimes are taking hold. Rather than encouraging us to slow down and adopt the time of the glaciers, these New Climate Regimes have introduced a strange hope: the exploitation of hitherto inaccessible resources and new commercial opportunities offered by technosolutionism.
In his exhibition, artist - éleveur d’icebergs Barthélemy Antoine-Lœff presents a body of work that acts as a narrative to alert us to the current situation and to try to grasp the event horizon.
Ce qui disparait se transforme immédiatement en éternité
26.10.2023 - 29.10.2023 KIKK Festival
Namur (B)
Ce qui disparait se transforme immédiatement en éternité.
Barthélemy Antoine-Loeff in collaboration avec Antoine Meissonnier
Installation, 2021
"Ce qui disparait se transforme immédiatement en éternité" explores the multiple questions of climate repair and technosolutionism using artificial intelligence.
The installation stages a fictional laboratory for measuring the melting of symbolic mini icebergs which are generated in ice before being placed in an analysis cell with the aim of finding the ultimate iceberg: the one which, by its shape, will make a consensus, which one will take the longest to melt, based on the analyzes of the icebergs previously generated.
The installation uses a genetic algorithm specially developed to try to solve this problem of climatic optimization...
Obviously, the starting postulate is absurd, and ironic. Just like the idea of imagining being able to "repair" the climate by artificially prolonging the life of icebergs with the help of a genetic algorithm.
Tipping Point
14.05.2023 Bleue - 3ième édition
Théâtre des Bernardines, Marseille (F)
Bleue is a celebration of the sea as a melting pot of biodiversity and part of a whole, our planet, in the era of climate change.
The installation Tipping Point is a sensitive and poetic tribute to those dying glaciers. It stages the (re)birth of an artificial glacier protected by a dome; a drip is feeding the glacier that will grow during the exhibition. The device invites the viewer to attend the birth of this artificial glacier. It is inspired by the “ice stupas” invented by the engineer Sonam Wangchuk and used to fight against water shortages during the summer in Ladakh.
Between a laboratory experiment, an attempt to repair the climate or an ironic collector’s item, the installation confronts us with time and scales; 10.000 years ago, the stabilisation of our cryosphere coincided with the first human traces we found in Mesopotamia, while the fist glaciers are disappearing in 70 years under the pressure of the human activity.
L’HORIZON DES ÉVÈNEMENTS
02.02.2023 - 15.03.2023 l’Atheneum, centre culturel de l'université de Bourgogne & Un Singe en Hiver
Dijon (F)
The space surrounding our planet is becoming saturated with debris; it will soon be impossible to cross this new belt of artificiality without a shield. The event horizon has turned into a thick, sticky fog. Left in suspension above our heads, this waste will end up falling on us, scorching meteors melting the last icebergs on which we could have still leaned before disqualifying the universe.
Impetuous, we sought to tame the infinite, to dominate time, space and climate.
Like a breach towards an undesirable future in which the human being is ironically at the centre of everything, including his own finitude, Barthélemy Antoine-Lœff pushes the voice of this climate that cracks under our feet, by poetry and sensitivity.
L’Horizon des Évènements is an exhibition on two locations:
02.02.2023 - 15.03.2023
l’Atheneum, centre culturel de l'université de Bourgogne
03.02.2023 - 24.02.2023
Un Singe en Hiver
Soleil Noir in Fiat Lux
19.01.2023 - 15.04.2023 Centre Tignous d'Art Contemporain
Montreuil (F)
Soleil Noir is an invitation to contemplate a luminous phenomenon, a journey in the hyperspace between artificial light (digital) and natural light (a dying star).
Soleil Noir explores the perception of a fragment of time suspended in the life of a supernova at the moment of its final explosion, just before its extinction... The moment lasts an eternity; the long-awaited explosion never arrives. It is perceptible in the air, as marked by this this kind of floating moment that we feels before falling... Except that here, we will not hit the ground, there will be no dislocation, there will be nothing except this presence, at once impressive and disturbing, strangely vibrating in front of us and yet almost inert, revealed by the light. Unless it is the opposite, let it be this shape that engulfs lights; we are not far from a black hole.
By this suspension in the life of a supernova, Soleil Noir reveals the energy that must be burned to keep alive the datas that we accumulate during our life. Soleil Noir exacerbates the fragility of the world and the elements that compose it, about to break, even if they are imposing and seemingly immortal. It is a moment of precarious balance that expresses the ephemeral dimension of our lives, both digital and physical.
Group exhibition Fiat Lux, curated by Julien Taïb
Soleil Noir
11.04.2023 - 15.04.2023 Festival des arts numériques Rêveries
Beauvais (F)
Soleil Noir is an invitation to contemplate a luminous phenomenon, a journey in the hyperspace between artificial light (digital) and natural light (a dying star).
Soleil Noir explores the perception of a fragment of time suspended in the life of a supernova at the moment of its final explosion, just before its extinction... The moment lasts an eternity; the long-awaited explosion never arrives. It is perceptible in the air, as marked by this this kind of floating moment that we feels before falling... Except that here, we will not hit the ground, there will be no dislocation, there will be nothing except this presence, at once impressive and disturbing, strangely vibrating in front of us and yet almost inert, revealed by the light. Unless it is the opposite, let it be this shape that engulfs lights; we are not far from a black hole.
By this suspension in the life of a supernova, Soleil Noir reveals the energy that must be burned to keep alive the datas that we accumulate during our life. Soleil Noir exacerbates the fragility of the world and the elements that compose it, about to break, even if they are imposing and seemingly immortal. It is a moment of precarious balance that expresses the ephemeral dimension of our lives, both digital and physical.
Tipping Point at Safra'numériques 2023
21.03.2023 - 25.03.2023 Le Safran
Amiens (F)
The installation Tipping Point is a sensitive and poetic tribute to those dying glaciers. It stages the (re)birth of an artificial glacier protected by a dome; a drip is feeding the glacier that will grow during the exhibition. The device invites the viewer to attend the birth of this artificial glacier. It is inspired by the “ice stupas” invented by the engineer Sonam Wangchuk and used to fight against water shortages during the summer in Ladakh.
Between a laboratory experiment, an attempt to repair the climate or an ironic collector’s item, the installation confronts us with time and scales ; 10,000 years ago, the stabilisation of our cryosphere coincided with the first human traces we found in Mesopotamia, while the fist glaciers are disappearing in 70 years under the pressure of the human activity.
Tipping Point & Soleil Noir
08.11.2022 - 12.11.2022 Pléiades, Festival des Arts Numériques de Saint-Etienne
Saint-Etienne (F)
The installation Tipping Point is a sensitive and poetic tribute to those dying glaciers. It stages the (re)birth of an artificial glacier protected by a dome; a drip is feeding the glacier that will grow during the exhibition. The device invites the viewer to attend the birth of this artificial glacier. It is inspired by the “ice stupas” invented by the engineer Sonam Wangchuk and used to fight against water shortages during the summer in Ladakh.
Between a laboratory experiment, an attempt to repair the climate or an ironic collector’s item, the installation confronts us with time and scales ; 10,000 years ago, the stabilization of our cryosphere coincided with the firts human traces we found in Mesopotamia, while the fist glaciers are disappearing in 70 years under the pressure of the human activity.
Soleil Noir is an invitation to contemplate a luminous phenomenon, a journey in the hyperspace between artificial light (digital) and natural light (a dying star).
Soleil Noir explores the perception of a fragment of time suspended in the life of a supernova at the moment of its final explosion, just before its extinction... The moment lasts an eternity; the long-awaited explosion never arrives. It is perceptible in the air, as marked by this this kind of floating moment that we feels before falling... Except that here, we will not hit the ground, there will be no dislocation, there will be nothing except this presence, at once impressive and disturbing, strangely vibrating in front of us and yet almost inert, revealed by the light. Unless it is the opposite, let it be this shape that engulfs lights; we are not far from a black hole.
By this suspension in the life of a supernova, Soleil Noir reveals the energy that must be burned to keep alive the datas that we accumulate during our life. Soleil Noir exacerbates the fragility of the world and the elements that compose it, about to break, even if they are imposing and seemingly immortal. It is a moment of precarious balance that expresses the ephemeral dimension of our lives, both digital and physical.
Journée thématique: éco-concevoir les arts numériques
24.11.2022 Stéréolux
Nantes (F)
This round table invites Barthélemy Antoine-Loeff who is committed to reducing the environmental impacts of his work and testifies about his approaches, by addressing the technical and creative issues but also the limits and constraints of this type of approach.