About
°1972
Christoph De Boeck approaches sound as a visual and tactile medium. In his installations sound turns out to be a tangible presence. The spatial organisation of sound sources, the choice of materials in media and the method for sound transmission all are part of De Boeck’s permanent research into how sound relates to an environment and to human presence. The dynamic spatialisation of sound confronts the visitor with the idea of acoustic energy as an artistic object and even as a visual principle.
De Boeck teamed up with Aernoudt Jacobs to run Overtoon, a platform for sound art based in Brussels.
