| | | David Bowen | | Tele-present water | | Big Bang Data - DOX, Prague (CZ) | | | | | | David Bowen, tele-present water, 2011 |
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| Christoph De Boeck | | Floating Beam | | Murmur - Netwerk, Aalst (B) | | 8 April 2017 until 2 July 2017
| | Netwerk - Centrum voor Hedendaagse Kunst, Aalst (B) | | The supporting beam has become an iconic image for the twentieth century, for an ever expanding world of steel and concrete. Infrastructure lends humans stability and control over the circulation of goods and persons. This series refers to this world under stress. Listening to the internal activity of solid structures reveals the transformatory nature of infrastructure itself and of the fabricated stability of these platforms, vessels and passageways (a metastability). Read more
| | Christoph De Boeck | Netwerk - Centrum voor Hedendaagse Kunst |
| | | | Christoph De Boeck, Floating Beam, 2017 |
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| DUOBAAN | | Anneleen De Causmaecker & Barbara Ardenois | | Imaginary Landscape | | 9 April 2017 - 15:00
| | Concertgebouw Brugge (B) | | An accordionist and a visual artist take us on a stimulating musical trail: between music and performance. Hoping not to lose track of the poetry, accordionist Barbara Ardenois and visual artist Anneleen De Causmaecker - together DUOBAAN – explore the boundaries between music and performance and sound and image: small, compact, close to the audience, stimulating and a little crazy. Both ladies have a taste for the contemporary - both in image and music - and prefer to work with 20th and 21st century composers. For Concertgebouw Brugge, they create a sound trail, with ping-pong balls, crackling cassette players and a new composition for accordion and sticky tape. | | Concertgebouw Brugge | Anneleen De Causmaecker |
| | | | Duobaan |
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| Où sont les sons? Where are sounds? | | CENTRALE FOR CONTEMPORARY ART & OVERTOON | | OPENING - VERNISSAGE: 19 April 2017 - 18:00 | | 20 April 2017 until 10 September 2017
| | CENTRALE for Contemporary Art
Sint-Katelijneplein - Place Sainte-Catherine 44
1000 Brussels (B) | | Où sont les sons ? Where Are Sounds? is an exhibition in collaboration with Overtoon, platform for sound art, curated by Nicole Gingras, an independent curator interested in the links between sound and image, and in listening as a means of relating to the world.
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| | ARTISTS Christoph De Boeck (B) - Raymond Gervais (Québec, CA) - Aernoudt Jacobs (B) - Anne-Françoise Jacques (Québec, CA) - Rolf Julius (D) - Yann Leguay (FR/B) & Gaëtan Rusquet (B), Bernhard Leitner (AT) - Lawrence Malstaf (B/NO) - Dominique Petitgand (F) - Martin Tétreault (Québec, CA) - dieb13 (AT) - Davide Tidoni (IT/B) - Katerina Undo (GR/B) - Floris Vanhoof (B) - Franziska Windisch (B/D). | | CENTRALE for Contemporary Art | Overtoon |
| Où sont les sons? Where are sounds? - EXTRA MUROS | | Aernoudt Jacobs - Heliophone | | Musical Instruments Museum | | 19 April 2017 until 2 July 2017
| | Musical Instruments Museum - Terrace 10th floor
Hofberg 2 Montagne de la Cour
1000 Brussels (B) | | Heliophone is a sound work in which a tone is continually modulated according to the intensity of sunlight. | | Musical Instruments Museum | Heliophone | Aernoudt Jacobs |
| | | | Aernoudt Jacobs - Heliophone ©Aneil Karia |
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| Nachtelijk Symposium | | KVS, Mesut Arslan, Lawrence Malstaf & Platform 0090 | | Première: 19 April 2019 - 20:30 | | 19 April 2017 until 26 April 2017
| | KVS, Brussels (B) | | Mesut Arslan places the actors and the text in artist Lawrence Malstaf’s installation of spinning tops. The audience is gathered around an open arena in which not only the tops, but also the characters, start revolving around each other. In this way the director sets the inner identity of a family and the surrounding audience in motion.
| | Lawrence Malstaf | KVS |
| | | | Lawrence Malstaf - Scenography for Nachtelijk Symposium |
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| Annelies Van Parys | | THE DIARY OF ONE WHO DISAPPEARED | | Opera21 | | | | | | The Diary of One Who Disappeared ©Laura Makabresku |
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| Lawrence Malstaf - Amund Sjølie Sveen - Liv Hanne Haugen - Jon Tombre - Tale Næss | | State & Ecstasy | | Vårscenefest - Tromsø (NO) | | 25 April 2017 - 18:00
| | Peripheral Centre, Tromsø (NO) | | Explorations of new working methods, the search of community, encounters with expressions across an I and a we – these were all starting points for this ambitious work. The premiere found place at an industrial site in Harstad during the Arctic Arts Festival in 2016, and earned great praise. Now, STATE AND ECSTASY is ready to be revisited, this time at Peripheral Centre at the summit of the Tromsø Island, and in closer proximity to both nature and people it asks again: How does the state fare? Who owns ecstasy today? | | Vårscenefest | Lawrence Malstaf | Amund Sjølie Sveen | Liv Hanne Haugen |
| | | | Lawrence Malstaf, Polygon, 2016 |
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| Amund Sjølie Sveen | | Nordting (in English) | | Vårscenefest - Tromsø (NO) | | 28 April 2017 - 19:00
| | Hålogalandteater, Tromsø (NO) | | You never really know what will happen when Amund Sjølie Sveen and his comrades enter the stage. Well, one thing we know; he swings his verbal ammunition high and low, left and right. Nordting is more a public meeting meets standup meets political meeting meets concert meets performance than anything else. Actor, writer, journalist and musician Amund Sjølie Sveen is known for making stage productions aiming directly at the elite; the people with power and money. He also questions the position of art itself in today's society. With Liv Hanne Haugen. | | Vårscenefest | Amund Sjølie Sveen - Nordting | Hålogalandteater |
| | | | Amund Sjølie Sveen, Nordting, 2016 |
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| Annelies Van Parys | | AVANT-PREMIÈRE Het Kanaal | | Opera21 | | 29 April 2017 - 17:00
| | deSingel, Antwerpen (B) | | On a beach near Calais a young refugee prepares himself to swim across the Channel, towards his new future. The new text by author Gaea Schoeters is mirrored by recently recovered Shakespeare-text. Composer Annelies Van Parys uses the Shakespeare-text as a libretto for a cycle of songs, which set the refugee theme in a historical perspective.
Text Gaea Schoeters Composition Annelies Van Parys Direction Gable & Romy Roelofsen / Het Geluid Maastricht Actors Katelijne Verbeke & Adams Mensah Vocalist Naomi Beeldens Lute/guitar Maarten Vandenbemden Scenography Anneleen De Causmaecker
| | Opera21 | Muziektheater Transparant | Het Geluid Maastricht |
| | | | Het Kanaal ©Trui Hanoulle |
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| David Bowen | | Fly Revolver | | Brink - New Media Gallery, Vancouver (CA) | | 25 February 2017 until 30 April 2017
| | New Media Gallery, Vancouver (CA) | | fly revolver - 2013 Based on the activities of a collection of houseflies, this device controls a revolver. The flies live inside an acrylic sphere with a target backdrop. As the flies move and interact inside their home they fly in front of and land on the target. These movements are collected via video. Read more
| | David Bowen | New Media Gallery |
| | | | David Bowen, fly revolver, 2013 |
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| Kok&Deiman | | Hatchings! | | new multiple | | Hatchings (multiple), 2017 Concrete and Wood approx. 22 x 22 cm 20 pc + 2AP | | Kok&Deiman |
| | | | Kok&Deiman, Hatchings (multiple), 2017 |
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| Lawrence Malstaf | | Compass | | KINESTEZI expocollective | | 15 March 2017 until 24 May 2017
| | Saint-Ex, Centre Culturel Numérique, Reims (F) | | Compass 02005 is an orientation machine to wear around your waist. It directs you left and right while walking. It guides you through virtual corridors, rooms and doors programmed in the physical exhibition space, or any location. The apparatus imposes an attraction or repulsion on your waist, like you are in a magnetic field. You can explore this environment and discover a tactile architecture. The machine is programmed to make you follow an invisible map but you can choose between resisting to the machine or giving in and letting yourself be guided.
| | Saint-Ex Reims | Lawrence Malstaf |
| | | | Lawrence Malstaf, Compass, 02005 |
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| Lawrence Malstaf | | Sandbible & Conversations | | L'Ososphere - Strasbourg (F) | | | | | | Lawrence Malstaf, Conversations, 02012 |
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