| | | David Bowen | | 46º41'58.365" lat. -91º59'49.0128" long. @ 30m | | D'Days - Musée des Arts Décoratifs, Paris (F) | | Musée des Arts Decoratifs, Paris (F) | | Until 14 May 2017 46°41'58.365" lat. -91°59'49.0128" long. @ 30m by David Bowen refers to the source location where the water surface data was collected for this series. An autonomous aerial vehicle hovering 30 meters above the surface of Lake Superior scanned the water. For this series of five, the vehicle was deployed to the same location on different days and in different weather conditions. The collected data was used to carve a series of cylindrical three-dimensional models in clear acrylic with a CNC router. This process captured the dynamic movements of the waves and ripples from a specific time and location and suspended this ever-changing water pattern into a static transparent form.
D'Days Paris |
| | | | David Bowen, 46°41'58.365" lat. -91°59'49.0128" long. @ 30m, 2015 |
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| Lawrence Malstaf | | Compass | | KINESTEZI EXPOCOLLECTIVE - Saint-Ex - Reims (F) | | Saint-Ex, Centre Culturel Numérique, Reims (F) | | Until 24 May 2017 Compass 02005 by Lawrence Malstaf is an orientation machine to wear around your waist. It directs you left and right while walking. It guides you through virtual corridors, rooms and doors programmed in the physical exhibition space, or any location. The apparatus imposes an attraction or repulsion on your waist, like you are in a magnetic field. You can explore this environment and discover a tactile architecture.
Saint-Ex Reims Lawrence Malstaf |
| | | | Lawrence Malstaf, Compass 02005 |
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| Kiki Smith | | 57TH VENICE BIENNALE | | 13 May 2017 until 26 November 2017
| | Giardini, Venice (IT) | | Viva Arte Viva Curated by Christine Macel La Biennale di Venezia |
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| ANNELIES VAN PARYS | | DAGBOEK VAN EEN VERDWENENE / DIARY OF ONE WHO DISAPPEARED | | Operadagen Rotterdam & Muziekgebouw, Amsterdam (NL) | | | | | | The Diary of One Who Disappeared ©Laura Makabresku |
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| ANNELIES VAN PARYS | | PREMIÈRE: HET KANAAL | | Operadagen Rotterdam (NL) | | 13 May 2017: Rotterdamse Schouwburg - 15:00 & 19:00 On a beach near Calais a young refugee prepares himself to swim across the Channel, towards his new future. The new text by author Gaea Schoeters is mirrored by recently recovered Shakespeare-text. Composer Annelies Van Parys uses the Shakespeare-text as a libretto for a cycle of songs, which set the refugee theme in a historical perspective.
Text Gaea Schoeters Composition Annelies Van Parys Direction Gable Roelofsen & Romy Roelofsen/Het Geluid Maastricht Actors Katelijne Verbeke & Adams Mensah Vocalist Naomi Beeldens Lute/guitar Maarten Vandenbemden Scenography Anneleen De Causmaecker
Muziektheater Transparant Het Geluid Maastricht Antwerp Queer Arts Festival Perignem Tickets Operadagen Rotterdam |
| | | | Anneleen De Causmaecker, Het Kanaal (sketch scenography) |
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| Annelies Van Parys | | CHACUN(E) SA CHACONNE - WORLD PREMIERE | | QUEEN ELISABETH COMPETITION - SEMI-FINAL CELLO 2017 | | 15 May 2017 until 20 May 2017
| | Flagey/Studio 4, Brussels (B) | | The compulsory work for the semi-final Cello 2017 is written by Belgian composer Annelies Van Parys. Chacun(e) sa chaconne will be world premiered on Monday 15 May at 15:00 at Flagey/Studio 4, Brussels. Chacun(e) sa chaconne will be performed by all semi-finalists from 15 until 20 May 2017 at 15:00 & 20:00. Queen Elisabeth Competition
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| | | | Queen Elisabeth Competition |
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| OÙ SONT LES SONS? WHERE ARE SOUNDS? | | CENTRALE FOR CONTEMPORARY ART & OVERTOON | | Brussels (B) | | CENTRALE for Contemporary Art
Sint-Katelijneplein - Place Sainte-Catherine 44
1000 Brussels (B) | | Until 10 September 2017 Où sont les sons ? Where Are Sounds? is an exhibition in collaboration with Overtoon, platform for sound art, curated by Nicole Gingras, an independent curator interested in the links between sound and image, and in listening as a means of relating to the world. |
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| | ARTISTS Christoph De Boeck (B) - Raymond Gervais (Québec, CA) - Aernoudt Jacobs (B) - Anne-Françoise Jacques (Québec, CA) - Rolf Julius (D) - Yann Leguay (FR/B) & Gaëtan Rusquet (B), Bernhard Leitner (AT) - Lawrence Malstaf (B/NO) - Dominique Petitgand (F) - Martin Tétreault (Québec, CA) - dieb13 (AT) - Davide Tidoni (IT/B) - Katerina Undo (GR/B) - Floris Vanhoof (B) - Franziska Windisch (B/D). CENTRALE for Contemporary Art Overtoon |
| OÙ SONT LES SONS? WHERE ARE SOUNDS? - Extra Muros | | AERNOUDT JACOBS - HELIOPHONE | | Musical Instruments Museum - Terrace 10th floor
Hofberg 2 Montagne de la Cour
1000 Brussels (B) | | Until 2 July 2017 Also part of the exhibition Où sont les sons? Where are sounds? - Extra Muros - is Heliophone by Aernoudt Jacobs. Heliophone is an installation that turns sunlight into sound. Its basic principle is quite simple: energy from the sun is transformed into sound without electronic amplification. In the design, however, Jacobs combines an impressive array of traditional and cutting-edge technologies.
Musical Instruments Museum Heliophone Overtoon
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| | | | Aernoudt Jacobs - Heliophone |
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| | Davide Tidoni - Night Walks | | Brussels (B) | | 30 May, 27 & 29 June 2017 - 20:30 (duration 3-4 hours) Free - Reservation required: info@centrale.brussels Davide Tidoni contributes to exhibition Où sont les sons? Where are sounds? with Night Walks. Night Walks is a series of sound performances and listening exercises presented in outdoor spaces at night. The activities are based on Davide Tidoni's current research on sound propagation in open space, active listening, and the staging of site-specific actions that involve the use of microphones and loudspeakers as performative instruments. Each night has its own specific program and is designed in relation to the encountered spaces. Walking in the city with Davide Tidoni is an opportunity to detect sounds, recognise them, be alert to them. CENTRALE for Contemporary Art Overtoon
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| | | | Davide Tidoni, Nightwalks |
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| Christoph De Boeck | | FLOATING BEAM | | MURMUR - NETWERK, AALST (B) | | Netwerk - Centrum voor Hedendaagse Kunst, Aalst (B) | | Until 2 July 2017 The supporting beam has become an iconic image for the twentieth century, for an ever expanding world of steel and concrete. Infrastructure lends humans stability and control over the circulation of goods and persons. This series refers to this world under stress. Listening to the internal activity of solid structures reveals the transformatory nature of infrastructure itself and of the fabricated stability of these platforms, vessels and passageways (a metastability). Read more
Christoph De Boeck Netwerk - Centrum voor Hedendaagse Kunst |
| | | | Christoph De Boeck, Floating Beam, 2017 |
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| Haugen Productions | | Sisters 11 Years Later | | NEW BALTIC DANCE ’17 (LT) | | Lithuanian National Drama Theatre, Vilnius (LT) | | 13 May 2017 - 18:30 'Sisters 11 Years Later' is the independent sequel of 'Sisters', a story on family and sisterhood. Eleven years later, Liv Hanne and Anne Katrine are still dancing and questioning: 'How is life now?' The performance includes film, music, text and dance. Scenography & installation art by Lawrence Malstaf. New Baltic Dance '17 Haugen Productions |
| | | | Sisters 11 Years Later |
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| Mental Overdrive | | - Live - | | 19 May 2017 - 00:00
| | Jaeger Oslo (NO) | | Mental Overdrive, who alongside artists like Biosphere and Bjørn Torske put Trømso and Norway on the map for electronic music, quickly became the alternative voice for music from the region through releases on R&S and Virgin. A veteran producer and DJ, whose music is born in the depths of experimentalist electronics, his recorded works and live sets are uncompromising affairs and in the latter context always a unique experience. Mental Overdrive |
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| Nachtelijk Symposium | | KVS, MESUT ARSLAN, LAWRENCE MALSTAF & PLATFORM 0090 | | - On Tour - | | 17 & 18 May 2017: Zuidpool Antwerpen/Toneelhuis (B) 31 May, 1 & 2 June 2017: Vooruit, Gent (B) Mesut Arslan places the actors and the text in artist Lawrence Malstaf’s installation of spinning tops. The audience is gathered around an open arena in which not only the tops, but also the characters, start revolving around each other. In this way the director sets the inner identity of a family and the surrounding audience in motion.
Lawrence Malstaf KVS Toneelhuis Vooruit
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| | | | Lawrence Malstaf - Scenography for Nachtelijk Symposium |
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| David Bowen | | TELE-PRESENT WATER | | BIG BANG DATA - DOX, PRAGUE (CZ) | | | | | | David Bowen, tele-present water, 2011 |
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