
Navid Navab presents Organism: In Turbulence (Live) at FIBER
31.05.2025 FIBER Festival
Orgelpark, Amsterdam (NL)
Organism destabilises the socio-historical tonality of a century-old pipe organ to liberate and sound its turbulent materiality, robotically unleashing timbres unheard after centuries of sonic restraint. During concerts, shifting metastable states allow for Organism’s energetic thresholds to rapidly fall into and out of compatibility with one another. With no digital sounds, Navab aerodynamically shapes the resulting ecology of interdependent timbres into emergent realms, traversing microsonic polyrhythms, post-rock overspill and swampy soundscapes.
Performance: solo acoustic concert for robotically prepared historic organ, 2024

1 drop 1000 years at ISEA 2025 Seoul
29.05.2025 Jayu Theater at Seoul Arts Center
Seoul (KR)
1 Drop 1000 Years - In this hypnotic performance, I explore the tensions between the global currents that drive planetary equilibrium and the intimate currents that resonate within each of us. Fifteen suspended devices, veritable kinetic sculptures, orchestrate the flow of water particles in real time, materializing oceanic dynamics. The patterns generated, fed by data such as the temperature and salinity of the Pacific Ocean, intertwine in a visual and sonic choreography. 1 drop 1000 years unfolds as a poetic, immersive ballet, revealing the fragility of ecosystems and the delicate harmony that binds all things on Earth.
Scientists agree that a drop of water travels the globe in less than 1,000 years. This drop shapes our world: it transports nutrients, heat and living organisms, while regulating our planet's climate and ecosystems. It contributes to the fundamental process of life's equilibrium.
Drawing on data from the Global Conveyor Belt, the vast ocean current that orchestrates the mixing of water from the five oceans and redistributes heat on a global scale, Martin Messier underlines the fundamental role of water as a vital substance. Yet, over the past two centuries, human action has been shaking this fragile balance: the gradual slowing of this ocean current could trigger a major climatic upheaval, threatening the entire chain of life.
In this hypnotic performance, the artist explores the tensions between the global currents that drive planetary equilibrium, and the intimate currents that resonate within each of us. Fifteen suspended devices, veritable kinetic sculptures, orchestrate the flow of water particles in real time, materializing oceanic dynamics. The patterns generated, fed by data such as the temperature and salinity of the Pacific Ocean, intertwine in a visual and sonic choreography. 1 drop 1000 years reveals itself as a masterful, poetic ballet, conveying the fragility of ecosystems and the delicate harmony that binds all things on Earth.

RÍOS TRILOGY // CHAPTER N.3: HYBRID R€¥€R$€
26.05.2025 OSAKA WORLD EXPO 2025 - NO BORDERS, NEW TERRITORIES
Belgian Pavilion, Osaka World Expo 2025 (JP)
R€¥€R$€ is a 30' Virtual Reality piece that deepens into the complex situation of Amazonia. More than half of the Amazon region, 66 per cent of it, is subject to permanent pressure due to human extractive practices such as oil and mineral exploitation, road infrastructure development, ranching, agricultural activity and hydroelectric plants. Deforestation, burning, and loss of carbon stocks are proof of the large-scale transformations taking place in Amazonia.
The ancestral Indigenous Peoples' and the biome of the Rainforest are endangered by the rapid deforestation and exploitation of natural resources. The extractivist practices operating in the region have caused irreparable damage to these vital ecosystems, threatening the survival of countless species of plants and animals. The loss of these valuable resources impacts the local communities who rely on them for their livelihoods and has far-reaching global consequences. It is imperative that we take action to protect and preserve the Rainforest and its inhabitants before it's too late.
R€¥€R$€ underlines the tensions present in the territory, where human, cultural and environmental aspects rub with power, economics and multinational interests in a context of climate stress in which importance of preserving this unique ecosystem is vital for the survival of the current life on Earth.
Laura Colmenares Guerra will be present in Osaka to give a talk about her practice and show R€¥€R$€.

1 Drop 1000 Years at Gibanja 2025
19.05.2025 Kontejner & Pogon Jedinstvo
Zagreb (HR)
1 Drop 1000 Years - In this hypnotic performance, I explore the tensions between the global currents that drive planetary equilibrium and the intimate currents that resonate within each of us. Fifteen suspended devices, veritable kinetic sculptures, orchestrate the flow of water particles in real time, materializing oceanic dynamics. The patterns generated, fed by data such as the temperature and salinity of the Pacific Ocean, intertwine in a visual and sonic choreography. 1 drop 1000 years unfolds as a poetic, immersive ballet, revealing the fragility of ecosystems and the delicate harmony that binds all things on Earth.
Scientists agree that a drop of water travels the globe in less than 1,000 years. This drop shapes our world: it transports nutrients, heat and living organisms, while regulating our planet's climate and ecosystems. It contributes to the fundamental process of life's equilibrium.
Drawing on data from the Global Conveyor Belt, the vast ocean current that orchestrates the mixing of water from the five oceans and redistributes heat on a global scale, Martin Messier underlines the fundamental role of water as a vital substance. Yet, over the past two centuries, human action has been shaking this fragile balance: the gradual slowing of this ocean current could trigger a major climatic upheaval, threatening the entire chain of life.
In this hypnotic performance, the artist explores the tensions between the global currents that drive planetary equilibrium, and the intimate currents that resonate within each of us. Fifteen suspended devices, veritable kinetic sculptures, orchestrate the flow of water particles in real time, materializing oceanic dynamics. The patterns generated, fed by data such as the temperature and salinity of the Pacific Ocean, intertwine in a visual and sonic choreography. 1 drop 1000 years reveals itself as a masterful, poetic ballet, conveying the fragility of ecosystems and the delicate harmony that binds all things on Earth.

Tele-present wind in Out of Control
16.05.2025 - 01.08.2025 esc medien kunst labor
Graz (AT)
"One day we may have to worry about an all-powerful machine intelligence. But first we need to worry about putting machines in charge of decisions for which they lack the intelligence." [Jon Kleinberg]
tele-present wind consists of a series of 42 x/y tilting mechanical devices connected to thin dried plant stalks installed in a gallery and a dried plant stalk connected to an accelerometer installed outdoors. When the wind blows, it causes the stalk outside to sway. The accelerometer detects this movement transmitting the motion to the grouping of devices in the gallery. Therefore, the stalks in the gallery space move in real-time and in unison based on the movement of the wind outside.
For this version of tele-present wind at esc medien kunst labor, Graz the sensor will be installed in an outdoor location adjacent to the Visualization and Digital Imaging Lab at the University of Minnesota, USA. Thus, the individual components of the installation in Austria will move in unison as they mimic the direction and intensity of the wind halfway around the world. As it monitors and collects real-time data from this remote and distant location, the system will relay a physical representation of the dynamic and fluid environmental conditions.

Oceanic Oscillation - première
16.05.2025 - 15.06.2025 PHOS
Matane (CA)
Oceanic oscillation - In the same vein as 1 Drop 1000 Years, this piece explores thermohaline currents—the deep ocean flows that regulate our planet’s climate. Through moving drawings of the thermohaline loop, brought to life by motors, lights, and sound, the project makes visible the invisible forces that shape our world.
On an oceanic scale, surface waters and deep waters intertwine in a vast circulation network - the thermohaline loop - which orchestrates the balance of living organisms. Under the impact of human activity, this dynamic is being disrupted, weakening the interactions and stability of ecosystems. How can we, as individuals, understand these invisible forces that shape our planet?
In this installation, 21 sheets of paper carry the memory of ocean currents. Their graphic lines reveal the variations of ocean currents, while a set of motors instills subtle, organic movement. Through glass filters, the public explores these oscillations, whose perception changes according to the light reflections and their own movements in front of the work. Ambient music with evolving textures, punctuated by glitches that alter sonic harmony, accompanies this fragile breathing.
With Oceanic Oscillation, Martin Messier invites us to consider ecological issues through a prism that is both philosophical and sensory: to perceive the world's pulsations, to experience the latent tension between stability and chaos, and to detect our own vulnerability in the face of ongoing imbalances.

⋗ microcosm N°3 plenumophileia
16.05.2025 - 15.05.2025 PHOS
Matane (cA)
In search for the hidden mysteries of matter from the borders of table-top astrophysics and natural fiction, three microcosms orchestrate states of sensory access to the phenomenological emergence of order out of chaos. tangibleFlux φ plenumorphic ∴ chaosmosis is an installation that invites participants to intimately encounter the ontogenesis of vital patterns through the spontaneous formation of temporal textures that emerge from material-energy fields.
Physically investigated through collaboration with forces of complex harmonic motion, patterns-of-interaction between magnetism, gravity, and light spiral out of theories of complexity and into an improvisatory dance of hallucinatory forms. Eventually, the kinetic event unveils messy realness chaosing into balance: things doing… stuff seeking a minimum-energy-state under magnetic flux. Sensually binding, spatially confusing, and temporally unsettling, tangibleFlux pulls everything into immediate vibrational relation with its vertiginous ritual.
N°3 plenumophileia holds a sensuous swamp of voids, curves, and viscous waves, where gestures prevail shapes: where pixel is lube, architecture is pollen, and objects are but excited clumps in a puddle of time.

Organism: in turbulence
14.05.2025 Kontejner
Zagreb (HR)
Organism destabilises the socio-historical tonality of a century-old pipe organ to liberate and sound its turbulent materiality, robotically unleashing timbres unheard after centuries of sonic restraint. During concerts, shifting metastable states allow for Organism’s energetic thresholds to rapidly fall into and out of compatibility with one another. With no digital sounds, Navab aerodynamically shapes the resulting ecology of interdependent timbres into emergent realms, traversing microsonic polyrhythms, post-rock overspill and swampy soundscapes.
Performance: solo acoustic concert for robotically prepared historic organ, 2024

The Desert of the Real - A multi-sensory live performance by Studio Radiaal
14.05.2025 - 15.05.2025 Concertgebouw Brugge
Brugge (B)
The Desert of the Real - A multi-sensory live performance by Studio Radiaal
Technology increasingly reshapes our perceptions, blurring the boundaries between the tangible and the virtual. Drawing on Baudrillard’s concept of hyperreality, The Desert of the Real explores how we experience, perceive, and remember reality within a shifting ecological and technological landscape.
Through a staged journey across four scenes, the performance opens with virtual reality as a portal. This individual immersion in a simulated environment gradually shifts toward the exploration of the installations and shifting landscapes on stage. Objects appear fossilized, remnants of a fading world, while original compositions for cello, piano, and live electronics draw audiences into an active role within a fluid reality. Digital seeds and strange organisms start to grow, as glitches and sonic distortions increasingly disturb the fragile balance between the organic and the artificial. Between fading echoes and fractured images, the desert of the real unravels.
STUDIO RADIAAL is an Audiovisual Collective / Pushing the Boundaries of Traditional Art Forms / Creating Multi-Sensory Performances & Stand-alone Installations / Blending Original Compositions for Cello, Piano & Electronics with Visual Art, Video Art, and Scenography.

SHRINK 01995 at 16. Internationalen Tanztage Oldenburgisches Theater
10.05.2025 Oldenburgisches Theater
Oldenburg (D)
SHRINK 01995 - Two large, transparent plastic sheets and a device that gradually sucks the air out from between them leave the body vacuum-packed and vertically suspended. The transparent tube inserted between the two surfaces allows the person inside the installation to regulate the flow of air. As a result of the increasing pressure between the plastic sheets, the surface of the packed body gradually freezes into multiple micro-folds. For the duration of the performance the person inside moves slowly and changes positions, which vary from an almost embryonic position to one resembling a crucified body.
At 16. Internationalen Tanztage there will be 3 Shrinks and the bodies of 3 performers.